
All scores not listed as distributed by Frog
Peak Press can be obtained
from the composer.
For Piano
Arnold Meets Steve at the Five Spot (2004) page
1 page 2
Beatles Arrangements (1990). Eleanor Rigby sample
page When I'm Sixty-Four sample
page
Eleven Schtetl Settings (1988). (Frog
Peak Press) sample
page
Endangered Species For Solo Piano (1994-96). sample
page
Era Ora (1986), for piano duo.
For Cornelius (1982). (Frog
Peak Press) sample
page (part I) sample
page (part II)
Hope Street Tunnel Blues I (1986).(Frog
Peak Press) sample
page
Hope Street Tunnel Blues II (1986).(Frog
Peak Press) sample
page
Hope Street Tunnel Blues III (1983).(Frog
Peak Press) sample
page
Inner Cities 1 (1993). (Frog
Peak Press) sample page
Inner Cities 2 (1994). (Frog
Peak Press) sample page (1)
sample page (9)
Inner Cities 3 (Light Flowers Dark Flowers II) (1999), for toy piano. sample
page
Inner Cities 4 (1999) sample page
Inner Cities 5 (1999), a structured improvisation
Inner Cities 6 - 7 (1999).sample
page (1) sample page (14)
sample page (15)
Inner Cities 7.5 (1999).
Inner Cities 8 (2000). sample
page
Inner Cities 9 (2001). sample
page
Inner Cities 10 (2003).
Inner Cities 11 (Aglio Olio Peperoncino Blues) (2003). sample
page
Inner Cities 12 (In Memory of Helen Carter) (2005)
Last Acts Of Julian Beck (1985). sample
page
Schtetl Variations I (1987).
Tango N. 1 (1983).
For Chorus SATB
Away Alone (1983).
Just This As If It Had No What (1992).
My Body In The Course Of A Dream (1996). (Frog
Peak Press)
Music Is Not Music (2000); optional: chimes, bowed vibraphone, bowed piano strings,
trumpet, tuba. sample
page
River Run (1983).
When My Feet Felt The Path That My Eyes Could Not See (1993); optional: chimes,
bowed vibraphone, bowed piano strings, trumpet, tuba.
(Frog Peak Press) sample
page (1) sample
page (5)
For Chamber ensembles
Al Forno Al Sugo Al Pesto Al Vino (2001), for two saxophones, violin, cello,
flute, or any other instruments; live electronics optional.
Brute Beat Brut Bruit (2002), for flutes, clarinets, piano, violin, cello, percussion,
rapper.
Edible Weeds (1988), for piano, violin cello, flute, clarinet, trombone, percussion.
Electric Rags II (1989), for saxophone quartet and electronics. (Frog
Peak Press) sample
page (3) sample
page (7) sample
page (18)
For Julian (1987), for chorus, shofar, saxophone.
Four Flukes (2001), for tenor/tenor/bass/contrabass recorders, percussion.
In Hora Mortis (1996), for chamber orchestra, 25 instruments.
La Traversa (2003), for violin, trombone and accordian.
May I Now (2001), for cello, electric guitar, percussion.
Mo Era Ora (1995), for two pianos and percussion quartet.
Pittura Fresca (1997), for violin solo and ensemble: violin, piano, electric
guitar, bassoon, two percussion.
Playing House, or Six Tall Stories (2004), for voice, piano, double bass, recorders,
electric guitar, trombone, clarinet, violin, percussion
Rose Of Beans (1997), for accordion, tuba, violin, piano, viola and percussion.
sample page
Rose Of Beans II (2000), for violin, cello, flute, clarinet, trumpet, trombone,
piano, percussion.
Schtyx (1992), for piano, violin, and percussion. sample
page (4) sample page (17)
sample page (18) sample
page (23)
Seven Articles (1989), for violin, piano, percussion, cello, bassoon, saxophone,
clarinet.
Strum City (1999), for 5 electric guitars. sample
page
Theme Park x 1 (1995), for solo percussion. (Frog
Peak Press)
Theme Park x 4 (1998), for percussion quartet. (Frog
Peak Press) sample
page
Three Flukes (1999), for flute trio.
Under The Fig Tree II (2000), for alto flute, bass flute, piccolo, mezzo soprano,
harp, piano, sampling keyboard, electronics, percussion, whistling teakettle,
Balinese scarecrow, jump rope toy, child's drum machine.
VSTO (1989), for string quartet. (Frog
Peak Press)
VSTO long version (1994), for string quartet. (Frog
Peak Press)
Why Is This Night Different From All Other Nights (1992), for violin, tuba accordion,
tape, prepared piano, optional percussion.